I thought the LOR score was commendably restrained. When your film is nearly a week long and every other scene has several million CGI-generated orcs popping out of the screen at you, you don't necessarily want your composer screaming "THIS IS MY BIG MUSICAL MOMENT! LISTEN TO ME!!!" as well. Mohicans has a good soundtrack.. it's slightly cheesy and overblown but stays on the right side of that and is perfect for the film. I like Danny Elfman (doesn't everyone?).. his style has been copied to death now but imitation/flattery and all that. Edward Scissorhands has some of the best music-to-picture moments on the screen, in my book. All the usuals 'classic' names.. Williams, Jarre, Bernstein etc and the modern workhorses.. Zimmer, Horner, J N Howard. Films have changed though.. you just don't hear those old Huge Tune Themes too much these days as they often aren't appropriate. What about.. John Carpenter's stuff (for his own films)? Dead simple but effective. Fargo soundtrack.. one of those that sticks in my mind for some reason.