
Roundabout at Goose Green
So, the “Dulwich Community Council has made an award to provide a new centrepiece for the roundabout” (at Goose Green). Contact
malvernie.buchanan@southwark.gov.uk for info.
yes/no response sheets have been circulated

seeking views about the centrepiece:
1. A Tree. (Trees are nice. And there aren’t any around for . . . well . . . metres)
2. A Signpost. (Signposts are nice. They point to Camberwell and Peckham and places, like those on real road signs)
3. A Lantern. (Lanterns are nice. And, at night, it could illuminate . . . er . . . itself)
3a* Flowers planted by the Parks Dept. (Don’t they look after the roundabout anyway?)
3b* A Fountain. (Drowned football fans every morning after an England defeat . . . hmm, there’s a certain appeal. Ah no! - it would not be provided by a fountain expert, it would become a number
4)
4. An Art Installation. (Art is nice, isn’t it? But there are some genuine concerns for creators and consumers.)
Public art has three audience groups (LDI), those who Like it, those who Dislike it, and those who are largely Indifferent (but may be steered into saying it’s good/clever/colourful/worthwhile/useless/eyesore/waste of money/etc by the other two groups).
Any Art Installation in a public area, where people cannot choose whether or not to view it, will invariably be an irritant to some, possibly many. Maybe we don’t care.
Unlike Fast Food, Art has a good press. It is assumed to be inherently “good”.
Once particular individuals/small authoritarian groups (PISAGs) initiate the idea that there should be “art” in a certain place, the genie can never be fully re-corked.
PISAGs decide who should create the art. They have a congenital belief that they know best.
ED and its environs are stuffed with artists, craftspeople, designers, inventors and creatives – yet PISAGs ignore them for the favoured or famous.
Residents and others who have to “face the art” on a daily basis have no special consideration. Consultation = notice to proceed.
Look at the borders of SE15/SE22 where bollards were commissioned from Rhodes and Gormley. A gift of a brief – constrained dimensions and materials for a single practical function – which resulted in expensive, worse-for-wear, embarrassing street clutter. Who decided this should be public art? Who chose the artists? Why weren’t residents asked if they wanted this art? Dunno. Munygon. Computersayno.
Imagine canvassing views at the EDT (because it overlooks the roundabout) at about 10.30 pm, after a long hot Saturday of loosening aesthetic inhibitions. A sudden landslide of opinion may well result in, say, a full-size study of Mr Stay Puft (Ghost Busters 1984) being installed on the roundabout. It would be legitimate because it would satisfy the LDI principle . . . but you know (you
do know, don’t you?) the PISAGs wouldn’t stand for it.
What to do?
* I made up 3a and 3b